Completed PhD projects

Bill Leslie, (AHRC techne) – ‘Good Enough Sculptures: What Happens When Sculptures Are Made to Be Filmed?’, 2020

Maureen de Jager – ‘History [TBC]: Refocusing the South African War through Praxis’, 2019

Jenna Collins (AHRC techne) – ‘We Are the Road.’ 2018

Charlie Tweed – ‘Re-writing the Operations of the “Electronic Noosphere” and its  Control over Populations and the Environment’, 2018

Rachel Cattle (AHRC techne)  – ‘I am a Stylus: Play, Erase, Replay, Overdub, Broadcast’, 2017

Jonathan Allen (AHRC) – ‘Casting for the Voice of Strength || Austin Spare and the Cultures of Cartomancy’, 2017

Martin Westwood (AHRC) – ‘[sic]_[[sic]]’, 2017

Stine Ljungdalh – ‘The Zone – A Subjective Investigation, Set Up as a Meta-Fictional Play Towards Recognition of the Event in the Process of Creation’, 2016

Anat Ben-David – ‘The OperArt – Composition as Alienation in Art’, 2016

Mark Greenwood – ‘The Performing Body in the Event of Writing: “Lad Broke”, 20 April 2012, Camp Furnace, Liverpool’, 2013

Emma Hart – ‘How to Do Things with Cameras’, 2013

Susan Barnet – ‘Journeying to Eudemonia: Travel as a Creative Consideration’, 2012

Arnaud Desjardin (AHRC) – ‘The Everyday Press, an Imprint of Books by Artists’,  2012

Dan Hays – ‘Painting in the Light of Digital Photography’, 2012

Anastasia Souliotou – ‘Art and Movement in Public Transport Networks of Contemporary Metropolises’ [MA by Research], 2012

Matthew Thompson (AHRC) – ‘Fragments from a Future Archive’, 2012

Ailbhe Ní Bhriain – ‘The Aesthetics of Exile- An Exploration of Location and Dislocation within the Image Space and its Application to Textuality and Visuality in Ireland’, 2009

John Russell – ‘Staging and the Event: Performative Strategies in Contemporary Art’, 2007

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