Bill Leslie, (AHRC techne) – ‘Good Enough Sculptures: What Happens When Sculptures Are Made to Be Filmed?’, 2020
Maureen de Jager – ‘History [TBC]: Refocusing the South African War through Praxis’, 2019
Jenna Collins (AHRC techne) – ‘We Are the Road.’ 2018
Charlie Tweed – ‘Re-writing the Operations of the “Electronic Noosphere” and its Control over Populations and the Environment’, 2018
Rachel Cattle (AHRC techne) – ‘I am a Stylus: Play, Erase, Replay, Overdub, Broadcast’, 2017
Jonathan Allen (AHRC) – ‘Casting for the Voice of Strength || Austin Spare and the Cultures of Cartomancy’, 2017
Martin Westwood (AHRC) – ‘[sic]_[[sic]]’, 2017
Stine Ljungdalh – ‘The Zone – A Subjective Investigation, Set Up as a Meta-Fictional Play Towards Recognition of the Event in the Process of Creation’, 2016
Anat Ben-David – ‘The OperArt – Composition as Alienation in Art’, 2016
Mark Greenwood – ‘The Performing Body in the Event of Writing: “Lad Broke”, 20 April 2012, Camp Furnace, Liverpool’, 2013
Emma Hart – ‘How to Do Things with Cameras’, 2013
Susan Barnet – ‘Journeying to Eudemonia: Travel as a Creative Consideration’, 2012
Arnaud Desjardin (AHRC) – ‘The Everyday Press, an Imprint of Books by Artists’, 2012
Dan Hays – ‘Painting in the Light of Digital Photography’, 2012
Anastasia Souliotou – ‘Art and Movement in Public Transport Networks of Contemporary Metropolises’ [MA by Research], 2012
Matthew Thompson (AHRC) – ‘Fragments from a Future Archive’, 2012
Ailbhe Ní Bhriain – ‘The Aesthetics of Exile- An Exploration of Location and Dislocation within the Image Space and its Application to Textuality and Visuality in Ireland’, 2009
John Russell – ‘Staging and the Event: Performative Strategies in Contemporary Art’, 2007
Centre for Useless Splendour 