Public Knowledge: Camden Arts Centre

Placement does not explain, but cultivates a September garden / We Are Publication Online from Wednesday 9 September, 2020, 7.00pm … More

t h e H O L D

WE ARE PUBLICATION t h e H O L D Stanley Picker Gallery 26 September – 14 December 2019 Opening Wednesday, 25 … More

Radio Broadcast WE.ARE.CUT.UP.

WE ARE PUBLICATION: WE.ARE.CUT.UP. Broadcast on Art Licks Weekend radio station, run in partnership with TACO! and RTM. 17/10/19 8-9pm … More

James Irwin

Using Printmaking and the Moving Image to relocate the individual within Algorithms and Automation. My research will address printmaking and … More

Ilsa Colsell

Overlay: How can we use layering and obscuring as a strategy for making? When two objects are placed together, one … More

Charlotte Warne Thomas

Golden Age; On the Contemporary Agency of Gold My practice-based research examines the changing role of gold as a material … More

Alex Pollard

The Clairvoyance of Painting: Is Paint Ganymede Slime? Taking the form of paintings and theory-fiction this practice-based inquiry explores a … More

Andy Tam

“Global Economics” making “Global Contemporary” Making money is art and working is art and good business is the best art.” … More

Anna Lucas

Looking, looking away, looking again – The photographic still as an object on film What perceptual transformations occur when the … More

WE.ARE.CUT.UP.

WE ARE PUBLICATION: WE.ARE.CUT.UP. Dekalb Gallery Pratt Institute 200 Willoughby Avenue Brooklyn, NY 11205 11-22 February 2019 We Are Publication’s … More

We Are Publication at Twenty-One

We Are Publication took up a one-day residency at Focal Point Gallery’s Unit Twenty-One on the 17th October 2018. During … More

London Art Book Fair

We Are Publication will be sharing a table space at the Book Fair with artist-led record label and publishing imprint Oh (John … More

Notes on a Carpet

Saturday 7 April 2018 2–6 pm (live events and video stream from 3pm) Five Years, Unit 2B1, Boothby Road, Archway, … More

Mandy Ure

Dean, Kingston School of Art In Mandy Ure’s paintings there is an absurd investment, a committed doubt, in producing … More

Diagram of an Hour

Vinyl record by We Are Publication Launch at Cubitt’s studio 5, 6pm -8pm, 4th July 2017. 8 Angel Mews, Islington, … More

Louis Nixon

Associate member Director of the Academy of Visual Arts, Hong Kong My research is underpinned by an on-going engagement with … More

Volker Eichelmann

Director of Postgraduate Research, School of Art & Architecture In 1925, Stephen Tennant (1906–1987), perhaps the most intriguing of England’s … More

Felicity Hammond

Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions Monumental billboards concealing construction sites have become … More

Marianne Keating

‘They don’t do much in the cane-hole way’ Representing Caribbean Whiteness and the Irish Diaspora in Jamaica through visual and … More

Simon Josebury

Beautility: printed matter, moving image and the question of Use My research takes as its framework the beauty-utility opposition in … More

Dr Sarah Bennett

Head of School Art & Architecture In her artistic research Bennett critiques the historical and contemporary contexts of psychiatric provision … More

John Hughes

Surface and Sub – Surface Subversion UNDERGROUND: experimental inter-disciplinary fiction in contemporary art I am experimenting with combinations of text … More

Jo Addison

Head of Department, Fine Art The relationship between objects and the body, and of objects to one another is intrinsic … More

Dr Henry Bond

Senior Lecturer Research interests: Virilio’s prism of military strategy, military tactics, and defense organisation is my current focus with a … More

Melissa Gordon

The Value of Gestures My PhD aims to address the question of how the value of a gesture is determined … More

Christian Newby

Among the Living: Articulating Craft Methodologies Beyond Ornament and Skill in Contemporary Art Practice My research examines how the use … More

Daniel Shanken

Unconscious and pre-programmed systems of influence and their implications within art practice Daniel Shanken is an artist from Los Angeles, … More

Seyyed Sadegh Aleahmad

Anxieties of Difference As a young Iranian artist living in the UK, the examination of my position in the cultural … More

Adam Gillam

Course Leader BA Fine Art Revelling in material and visual flippancy, Adam Gillam fidgets, probes and tweaks the abundant dark … More

Mark Harris

Associate Professor in Fine Art Mark Harris’ key area of research and specialism is the history of the printed image … More

Gareth Jones

How to fabricate the ideal city I’m looking at how to fabricate the ideal city, using a methodology that I’ve … More

Bill Leslie, PhD

What happens to a sculpture when it is filmed and photographed? What happens to a sculpture when it is filmed … More

Maryam Tafakory, PhD

Devotion and absence: towards a cinematic écriture féminine This research proposes to investigate the intersection of documentary, experimental video and ethnography within … More

Jenna Collins, PhD

We Are the Road Contemporary archival art practices utilise their artefacts in a variety of ways. My approach foregrounds certain … More

Dr Dean Kenning

Research Fellow in Fine Art There are two main aspects to my art practice. Firstly art as a form of … More

Lucy Coggle

Digital Scurvy: shimmering the screen Surface tension and perpetual vacillation in the digital; a practice based investigation into the effect of digital onto … More

Diagram of an Hour Radio Broadcast

Diagram of an Hour- Scoring, Composition, Publication In this programme, We Are Publication, the Fine Art Research Group at Kingston … More

Katy MacLeod

Associate Member Art research, particularly within the framing of a PhD: artists’ research processes specific to the practice of Art; … More

Professor Mike Nelson

Mike Nelson’s work has centred on the transformation of narrative structure to spatial structure, and on the objects placed within … More

Professor Elizabeth Price

London-based artist Elizabeth Price (British, b. 1966) creates richly multi-layered narrative moving image works made specifically for gallery environments. Often … More

Charlie Tweed, PhD

Re-writing the overcode Charlie Tweed’s practice based PhD research project ‘Re-writing the overcode’ has developed from in depth research around … More

Rachel Cattle, PhD

I am a Stylus: Play, Erase, Replay, Overdub, Broadcast Climbing the stairs and stepping out, its pitch black. I’m disorientated, … More

Lucy Renton

Associate Professor Lucy Renton studied Fine Art at St. Martin’s School of Art and the Royal College of Art, and … More

Jonathan Allen, PhD

Casting for the voice of Strength || Austin Spare and the cultures of cartomancy This project takes direction from a … More

Andrea Stokes

Associate Professor, Fine Art My research is through a Fine Art practice that uses video, drawing and publication to interrogate … More

Martin Westwood, PhD

Through [sic]_[[sic]], I ask a question: how can the material fixity of embodiment and the mobility of information be performed together by … More

Alexis Teplin

Senior Lecturer in Fine Art Alexis Teplin’s practice is routed in painting and performance that extends to include sculpture and … More

We Are Publication video

Experiments elaborated intensive collaborative studio workshop props words object text image performance imagine the edit. We are sequence we are … More