Holly Antrum

Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image? … More

Matthew de Kersaint Giraudeau

Resentment, Contempt, Disgust: Status-emotions in Performance and Video My research in performance and video will interrogate and expand the thinking … More

Mark Aerial Waller

My research concerns how we as spectators can have the understanding of ourselves and our surroundings (our subjectivity) thrown into … More

George Charman

Fragments and Formworks: Architectural Possibilities for Edward James’s Archive The intention of this research project is to utilise through practice, … More

Mónica Rivas Velasquez

My PhD project centres on a speculative productive fusion of contemporary art practice, botanical research, autobiographical narratives and political histories, past and … More

Keira Greene

In the global event of rapacious consumption, it is evidently unethical, as an artist, to work with toxic material or … More

John Lawrence

Through a practice located in art writing I am invested in exploring the peripheries of where meaning can be generated … More

James Irwin

Using Printmaking and the Moving Image to relocate the individual within Algorithms and Automation. My research will address printmaking and … More

Ilsa Colsell

Overlay: How can we use layering and obscuring as a strategy for making? When two objects are placed together, one … More

Charlotte Warne Thomas

Golden Age; On the Contemporary Agency of Gold My practice-based research examines the changing role of gold as a material … More

Alex Pollard

The Clairvoyance of Painting: Is Paint Ganymede Slime? Taking the form of paintings and theory-fiction this practice-based inquiry explores a … More

Andy Tam

“Global Economics” making “Global Contemporary” Making money is art and working is art and good business is the best art.” … More

Jonathan Allen, PhD

Casting for the voice of Strength || Austin Spare and the cultures of cartomancy This project takes direction from a … More